The type of company,
location of printer and features incorporated
into a stamp is going through a period of
dramatic change. Traditionally, Great Britain
was responsible for the production of most
British Empire stamps prior to the current
monarch. With the establishment of the British
Commonwealth, things stayed the same for
many years, but more recently this position
has altered.
The bigger
Commonwealth nations had already set-up
their own stamp production capacity. The
likes of Australia, Canada and South Africa
were largely able to manage their own stamp
requirements. However, the smaller countries
continued to be almost totally dependent
on Britain well into this reign.
As the United
Kingdom aligned more closely with its European
neighbours on the continent and as developing
countries advanced, there has been less
dependency, or sense of loyalty, towards
Britain. This has resulted in a gradual,
but steady, change in the client lists of
British stamp printers.
Major British
printers of stamps such as Perkins Bacon,
Waterlow, Bradbury Wilkinson and Format
International have all ceased to exist as
companies in their own right, largely being
swallowed-up by others. Waddingtons
of Kirkstall and, for a long time prior
to their acquisition of Harrisons, even
De La Rue, had pulled out of stamp printing.
Indeed, when Guernsey decided to celebrate
its famed islander Thomas De La Rue they
chose to use a Dutch company, Enschedé,
to undertake the printing.
Of the British
stamp printers that still exist, a brief
overview proves interesting. De La Rue is
active again, following the Harrisons buyout.
However, it is rare to see them responsible
for stamps of any country other than Great
Britain. Even here, they do not have the
sole printing contract, but do have a large
slice of the British Post Office’s output.
They share the print runs with two other
British printers and one European.
The House
of Questa has seen its portfolio of clients
change over the years. They are still a
major supplier to Royal Mail and produce
fine quality printing – including stamps
printed by SuperLitho, a process they developed
that uses an extremely fine screen to guarantee
superb detailing of the image. They were
taken over a while ago by a Canadian company
called MDC Stamp and Ticket Group.
Walsall Security
Printers first became involved in stamp
printing in the 1960s for Tonga and Sierra
Leone producing freeform and round self-adhesive
stamps. They were, in fact, way ahead of
their time, as self-adhesive stamps are
only recently gaining a strong foothold
in the more traditional water-activated
arena. A supplier to Royal Mail and many
other countries, they started to get involved
in banknote manufacturing in the late 1990s
as an attempt at diversifying into an allied
area. They employed offset lithography,
rather than the more traditional intaglio
printing process, as this satisfied a niche
market.
(Interestingly,
Harrisons also moved into banknotes and
they soon became a thorn in the side of
De La Rue, gaining around 5% of the world
market. One of the first things that DLR
did when they took over Harrisons was to
close down banknote production at High Wycombe
and move it to its plant at Gateshead!)
Printing
is, without doubt, still a skilled profession.
However, technology has moved forward at
such a rate in the past few years, that
it is now easier and cheaper to set-up a
print works in a country not used to, or
previously capable, of printing its own
stamps. Generally, the smaller the country,
the smaller the print run and so a set of
commemorative stamps could easily be printed
in a working day, say a couple of shifts.
A good example
of this trend is Barbados, who now use the
local COT Printery for the production of
many of its stamps – and a fine printer
they are proving to be. Now that they have
been established for a few years, they are
being awarded contracts from neighbouring
and more distant countries. Potentially
this will take yet more business away from
Britain.
Moving to
the non-Commonwealth countries, the break-up
of the former Soviet Union and the creation
of a “new Europe” could have resulted in
a bonanza period for the British printer.
In general terms, this has not proved to
be the case. Certainly on the banknote front,
De La Rue has secured many contracts to
print currency, but no stamp contracts are
believed to have come to Britain from Eastern
Europe. What has
tended to happen is that countries have
set-up their own stamp printing works. There
are now at least five state-run or private
printers in the former USSR – the latest
to start operations being based in Belarus.
It is very often a matter of national pride
to be able to claim that postage stamps
are a “home-grown” product. Whereas banknotes
are less easy to print and demand resources
not always on hand, such as engravers and
intaglio presses. It is also phenomenally
expensive to create a banknote production
printing facility, unlike with stamps.
All you need
to print stamps is a second-hand sheet-fed
litho printing press, pre-press kit, a supply
of gummed paper, ink to print with and machines
to perforate and guillotine each sheet of
stamps. Yes, it is acknowledged that this
gives a totally simplistic approach to the
production of stamps, but there is not much
more to it than that. Certainly, it gets
more complicated when allowing for automated
sorting machine phosphors, security inks,
anti-counterfeiting features, unique die-cuts,
etc., but as a country advance technically,
so will the skills available to it.
In the more
developed countries, it is very often the
price of a print job that will now determine
who gets the business. In the USA, the Bureau
of Engraving and Printing is losing out
to the private sector. Its annual reports
in recent years show a dramatic drop in
production as capacity moves away from this
government-run organisation. The likes of
Avery Dennison, Banknote Corporation of
America (French owned) and Sennett continue
to increase their share of production.
Indeed, to
show how complex printing of USPS stamps
now is, there follows an entry from a new
issue press release: “Printing: Stamps
printed for American Bank Note Company on
a leased Champlain gravure press at J. W.
Fergusson and Sons, Richmond, Virginia,
under the supervision of Sennett Enterprises,
Fairfax, Virginia. Stamps perforated,
processed and shipped by ABNC, Bedford Park,
Illinois.”
The change
to self-adhesive postage stamps has also
helped to change the balance in determining
what company gets the work. In some
countries, such as the USA and Australia,
the requirement for water-activated stamps
is decreasing at a huge annual rate – to
the point where self-adhesive will be the
only “option” in a few years time, or less.
The position in the UK is destined to follow
this trend.
For those
interested in the manufacturing of postage
stamps, we live in interesting times. A
whole range of new names is constantly being
added to the new issue listings of “stamp
printers” in philatelic magazines. Indeed,
in the past five years alone I have recorded
over 35 new names worldwide.
The difference
between today and years gone by is that
the printers are tending to be private,
previously established companies who also
produce other security print items, or are
commercial printers venturing into new areas.
It would be rare (and brave!) for a new
company to be formed solely to print postage
stamps, as the market is not large enough
to keep the presses rolling.
For approaching
150 years, there were almost no changes
in how a stamp visually appeared and was
used. This is no longer the case. Who knows
what future innovations will cause even
more new names to be added to the roll of
stamp printers as the once humble stamp
evolves into something far more inter-active?
In the recent
past we have seen stamps that are:
In a
free-form shape, such as bottles
and butterflies (die-cut separation) |
Peelable
without the need to lick (self-adhesive
substrate) |
Sponsored
by corporations, such as McDonalds
(often with their logo’s) |
With
hidden images, such as bats,
revealed by decoder (scrambled
indicia) |
Computer
generated at vending site (Frama
labels and their like) |
Smelling
of roses or chocolate (aromatic
inks) |
Light
reflective (holographic substrates
and OVI inks) |
Able
to be coloured-in by hand (simply
‘colouring by numbers’) |
Perforated
with non-circular pins, such
as star and elipse shapes |
Scratchable,
hiding messages or images below
the surface (latex covered) |
On continuous
self-adhesive coils minus backing
sheet (as Sellotape) |
Digitally
printed in their entirety by
Fuji-Xerox colour office printers |
Personalised
with photographs (colour laser
overprinted on stamp tabs) |
Three-dimensional
(using special red/green glasses) |
Stereoscopic
(two images that somehow merge
when viewed a certain way) |
With
chunks missing, such as a jigsaw
piece (die-cut out of stamp) |
ATM vendible
(plastic and paper developed
to resemble a banknote) |
Capable
of changing colour (thermochromic
inks) |
Multi-hole
punched in a pattern (perforation
pins closely positioned) |
With
micro-text printing visible
only with magnifying glass (security
feature)
|
Only a year
or so back, Switzerland announced the production
of a stamp produced of embroidery in a limited
edition. Clearly, the company concerned
for its production would never have dreamt
that they would one day manufacture stamps.
Such innovative
ideas indicated above, plus others, would
have been unthinkable, or unachievable,
even a short time ago, helping to make stamp
collecting so fascinating and rewarding.
It will also probably keep the purveyors
of doom-and-gloom at bay and the hobby alive
well into this new millennium. Footnote:
As I write this article, Swiss company Hélio
Courvoisier has announced that it is closing
down due to: “too much competition in the
international market”. A sad loss, but it
helps to illustrate that there are
always losers, as well as winners. Enschedé
has recently lost the production of all
Dutch stamps, but has gained the production
of all of Norway’s output; whilst our very
own Walsall has just won the entire Dutch
PTT contract. Changing times indeed. (First published
in Royal Mail's 'British Philatelic Bulletin',
October 2001)
Page updated on 17
April 2006. All material Copyright ©
2000-Date Glenn H Morgan FRPSL.
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